Archive

Strange Hommage

Millennium Actress

KON Satoshi

Japan200187min

Synopsis

Celebrating the 70th anniversary of the Ginei Studio and the demolition of its shooting set, Genya and his cameraman decides to create a documentary about the life of Chiyoko, a star actress who abruptly retired 30 years ago. In the interview, Chiyoko confesses that she became an actress to find a man she was fond of, and acted across various genres and eras for that purpose. Together, the two navigate between Chiyoko’s memories and scenes from her films, following her journey in pursuit of her first love..

Program Note

Legendary Japanese actress, Chiyoko, tells a documentary team about her life after 30 reclusive years. Born during the Great Kanto Earthquake, she became an actress at 17 to find a painter she once encountered. Playing diverse roles, from the Sengoku period to the age of space exploration, she is destined to find her love. Her narrative is interspersed with memories and clips from her films, revealing not only her own story but also the history of Japanese cinema, using references to classic films and monster movies. When the boundaries between reality and fiction blur, it seamlessly takes us to another world. When his film-making journey abruptly ended in 2010 at the age of 46, Kon Satoshi’s fans and fellow filmmakers were shocked and saddened that they would never be able to see him complete another film. He had a great influence on many of his peers, including Hollywood directors, and is set to be the next master artist who is expected to introduce new era of Japanese animation. The screening of this remastered version of Millenium Actress will be a great opportunity to his fans who have been missed Kon’s existence. (Creta D. KIM)

Diretor

KON Satoshi

Born in 1963. He began his career as a Manga artist while he studied at the Musashino College of the Arts. He then moved to animation and worked as a background artist on various films including Roujin Z (1991). He gained remarkable attention with his debut feature Perfect Blue (1997) and Paprika (2006) was screened at Venice International Film Festival’s competition. Once he was strongly considered as representative who will lead the post-Miyazaki era of Japan with Oshii Mamoru.