Synopsis
The last film in the Qatsi Trilogy, shares the common theme, 'the criticism of modern civilization,'but there is a clear distinction from the other two films. If the two earlier films relied mostly on the visual association of images to express its views, then this film adds connotative meanings within the images as well. This is clear from the beginning of the film. The first shot of Pieter Bruegel's (1563) connotes the meaning of how the endless strive towards technology and the division of language and race has led to disorder, in essence, war. Another dissimilarity from the earlier films is the use of digital. While the first two films were usually shot on the spot with little speed changes or multiple exposures, constructing images in an analogue format, relies on the digital format for the whole film. The filmmaker displays the violence of technology through an excess of visual aggression through the multitude of digital effects, such as a wide range of computer graphics, a multiplex of layering, filtering, and image reproduction. Unlike before, the use of 'Found Footage' the use of footage shot by others for different purposes is another interesting change. To recreate digitally footage previously shot makes the previous direct aggression an indirect aggression through digital. Man is excluded from this film. Only technology exists. The hallucinatory images created through digital technology. The filmmaker seems to have encountered a group of people who have fallen into the hallucination of technology. (Donghyun Park)