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Celluloid Erotica: Anatomy of Sexploitation Cinema

Blaze Starr Goes Nudist

Doris WISHMAN|USA|1962|75min |19+

Schedule

Code
324
Time
7/6  16:30 - 17:45
Theater
CGV Sopung 6
Rate
19
Code
718
Time
7/10  16:30 - 17:45
Theater
Bucheon City Hall Fantastic Cube
Rate
19

Unless following Subtitle code is marked, all films will have English subtitles
º°¾ÆÀÌÄÜNotice of No English-Subtitle

Schedule

Code
324
Time
7/6  16:30 - 17:45
Theater
CGV Sopung 6
Rate
19
Code
718
Time
7/10  16:30 - 17:45
Theater
Bucheon City Hall Fantastic Cube
Rate
19

Unless following Subtitle code is marked, all films will have English subtitles
º°¾ÆÀÌÄÜNotice of No English-Subtitle

Program Note

Movie star Blaze is tired of Hollywood's closed system. One day, she happens to watch a documentary about a nudist camp and visits a nearby nudist camp where people enjoy exercise and meditation in a peaceful, clothes-free environment, and begins to find new vitality. Blaze's manager is frustrated with her lack of interest in renewing her studio contract or starting a new film project. Blaze Starr Goes Nudist is one of the most successful nudie cuties by Doris Wishman, a female pioneer in the sexploitation genre. Nudie-cuties, which flourished in the mid-20th century, cleverly combined images of nude men and women—something the Hays Code would never allow—with quirky comedy, outlandish sci-fi plots, and nature-friendly messages, all while strictly avoiding any overt sexual action. This audacious strategy of bypassing restrictions on erotic imagery while satisfying viewers' sexual curiosity became a cash cow for independent producers and theater owners. The genre reached its peak in the 1950s and 60s, especially after a 1958 New York Court of Appeals ruled the screening of nude scenes in films to be legal. (Jin PARK)

Credit

Producer
Doris WISHMAN
Screenplay
Doris WISHMAN
Cinematographer
Raymond PHELAN
Editor
Martin SAMUELS
Cast
Blaze STARR, Ralph YOUNG

Director

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Doris WISHMAN

Doris Wishman (June 1, 1912 – August 10, 2002) was an American film director, screenwriter, and producer. She is credited with having directed and produced at least 30 feature films during a career spanning over four decades, most notably in the sexploitation film genre.