The act of men sending genital pictures to women is the subject in discussion. Venla, who attends the debate as a panel member, has special glasses that show men's true selves, and so the men caught out by the glasses start chasing Venla. This film is the director's latest work, after winning the 22nd BIFAN Award for Best Picture with the short story Helsinki Mansplaining Massacre (2018), which highlights this oblivious practice. It humorously dissects traditional and dichotomous gender consciousness through the exaggerated setting of genital monsters.