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Maquia: When the Promised Flower Blooms

OKADA Mari|Japan|2018 |115min |Korean Premiere |12+

Schedule

Code
207
Time
7/14  10:30 - 12:25
Theater
Korea Manhwa Museum
Rate
12
Code
606
Time
7/18  11:00 - 12:55
Theater
Korea Manhwa Museum
Rate
12

Unless following Subtitle code is marked, all films will have English subtitles
º°¾ÆÀÌÄÜNotice of No English-Subtitle

Schedule

Code
207
Time
7/14  10:30 - 12:25
Theater
Korea Manhwa Museum
Rate
12
Code
606
Time
7/18  11:00 - 12:55
Theater
Korea Manhwa Museum
Rate
12

Unless following Subtitle code is marked, all films will have English subtitles
º°¾ÆÀÌÄÜNotice of No English-Subtitle

Program Note

There are certain imaginations which are only possible through animation. The figures the movie deals with seem to be enviable at first glance. They do not die, nor they grow old; they live forever with the face of youth. However, ironically, this becomes a curse for this race. Normal people will never leave their extraordinary blood untouched. The ordinary desire of living forever destroys the special beings’ community. While this movie reports human’s greed, the values it embraces are love, farewell, and loneliness. As Maquia, a woman who miraculously survived from the destroyed community, looks after an abandoned baby of normal people named Ariel, the movie questions about ‘relationship.’ Although Maquia recovered the meaning of life from Ariel’s smile, Maquia’s smile bears gloom in it. She is well aware of the fact that Ariel will die before her someday. Because of immortality, she has to cope with the end of the relationship alone and forever. Love toward someone is at the same time a sheer loneliness. The question which is thrown by the universe of fantasy drawn onto a romantic canvas is quite poignant: upon the immense gap between infinite and finite time, and upon absolute parting, is there anything that can be promised? (PARK Woo-sung)

Credit

Producer
Endo Naoko, Horikawa Kenji
Screenplay
Okada Mari
Cinematographer
Namiki Satoshi
Editor
Takahashi Ayumu
Music
Kawai Kenji
Production Design
Higashiji Kazuki, Okada Tomoaki
Sales
Hakuhodo DY music & pictures Inc.

Director

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OKADA Mari

Born in 1976, from Saitama Prefecture, Okada Mari made her debut as a script writer at a video cinema in 1996, and later worked based on comic books, games, and radio dramas. She was in charge of animation scripts for DT Eitron (1998) which was aired on Fuji TV, and was in charge of configuration and scripts in a number of hit animation series.