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World Fantastic Red

The Blood of Wolves

SHIRAISHI Kazuya|Japan|2018 |126min |Korean Premiere |15+

Schedule

Code
112
Time
7/13  20:00 - 22:06
Theater
CGV Sopoong 2
Rate
15
Code
733
Time
7/19  16:00 - 18:06
Theater
CGV Bucheon 5
Rate
15
Event
Code
951
Time
7/21  15:30 - 17:36
Theater
CGV Bucheon 6
Rate
15
Event

Unless following Subtitle code is marked, all films will have English subtitles
º°¾ÆÀÌÄÜNotice of No English-Subtitle

Schedule

Code
112
Time
7/13  20:00 - 22:06
Theater
CGV Sopoong 2
Rate
15
Code
733
Time
7/19  16:00 - 18:06
Theater
CGV Bucheon 5
Rate
15
Event
Code
951
Time
7/21  15:30 - 17:36
Theater
CGV Bucheon 6
Rate
15
Event

Unless following Subtitle code is marked, all films will have English subtitles
º°¾ÆÀÌÄÜNotice of No English-Subtitle

Program Note

Prior to the enactment of the Anti-Organized Crime Law, Hiroshima was at odds with the Yakuza organizations, that was in 1988. Hioka, a new detective, goes into the crime scene with his senior, Ogami. Hioka’s behavior is suspicious. Is he a corrupt detective? Ogami does not cooperate  with his colleagues, he prefers to handle cases on his own. Ogami looks like he is corrupt, but he does what he needs to do. Maybe Ogami is not choosing sides between the Yakuza and the police. Shiraishi Kazuya depicts the landscape of detectives and Yakuza in a classic style. It does not describe the beauty of Yakuza, but it shows lowlife and the virtue as it is. They are human, but not the same as other people. Ogami is like the title, a solitary wolf. Even though he is a police officer, he does not believe in the organization. Everyone is a friend and an enemy to him at the same time. He goes on his own way. There is a lot of violence and sex scenes, yet not too much. If the Yakuza’s classic movie, Battles Without Honor and Humanity (1973), is remade in the 21 century, it would be The Blood of Wolves . The age has changed, and the director drawsYakuza hound street with a new sense, he does not follow the old style. (KIM Bong-seok)
 

Credit

Producer
Amano Kazuto
Screenplay
Yuzuki Yuko
Author of the Original Work
Yuzuki Yuko
Cinematographer
Haibara Takahiro
Editor
Hashimoto Tomohiro, Satake Soichi
Music
Yasukawa Goro
Production Design
Ricki Imamura Tsutomu
Sales
TOEI COMPANY, LTD.

Director

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SHIRAISHI Kazuya

Born in 1974, Hokkaido, he was nominated for the Best Director of the Japan The Japan Academy Prize in 2014 with The Devil’s Path (2013) and achieved numerous awards at several film festivals. Twisted Justice (2016) and Birds Without Names (2017) are his latest films.