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Strange Hommage

The Blind Beast

MASUMURA Yasuzo|Japan|1969|84min |World Premiere |19+

Schedule

Code
220
Time
7/5  16:30 - 17:54
Theater
Bucheon City Hall Fantastic Cube
Rate
19
Code
1102
Time
7/14  10:30 - 11:54
Theater
Bucheon City Hall Fantastic Cube
Rate
19

Unless following Subtitle code is marked, all films will have English subtitles
º°¾ÆÀÌÄÜNotice of No English-Subtitle

Schedule

Code
220
Time
7/5  16:30 - 17:54
Theater
Bucheon City Hall Fantastic Cube
Rate
19
Code
1102
Time
7/14  10:30 - 11:54
Theater
Bucheon City Hall Fantastic Cube
Rate
19

Unless following Subtitle code is marked, all films will have English subtitles
º°¾ÆÀÌÄÜNotice of No English-Subtitle

Program Note

Aki, a nude model, is captivated by a strange feeling when she sees Michio, a blind sculptor, meticulously touching a sculpture modeled after her body in an art gallery. Later, Aki is kidnapped by Michio, disguised as a blind masseur. She wakes up in a gloomy space filled with molds and sculptures of various parts of the female body and begins a grotesque relationship with Michio.
This compelling work showcases the collaboration of two masters: the original story by renowned Japanese mystery novelist Edogawa Rampo and the provocative direction of Masumura Yasuzo. Acclaimed as a global cult classic, this film is famous for being the first in Japanese cinema history to address sadomasochism. The surreal images and atmosphere portray the bizarrely twisted emotions of the two characters as they endlessly indulge in each other, now available in a world premiere 4K remastered version. (Martin LEE)

Credit

Producer
SHIRASAKA Yoshio
Author of the Original Work
EDOGAWA Rampo
Cinematographer
KOBAYASHI Setsuo
Editor
NAKASIZU Tatsuji
Sound
SUDA Takeo
Music
HAYASHI Hikaru
Production Design
MANO Shigeo
Cast
FUNAKOSHI Eiji, MIDORI Mako, SENGOKU Noriko
Sales
KADOKAWA CORPORATION

Director

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MASUMURA Yasuzo

Studied from the Department of Law and Philosophy at the University of Tokyo. In Italy, he studied under Luchino VISCONTI and Federico FELLINI. Upon returning, he worked as an assistant director for MIZOGUCHI Kenji and ICHIKAWA Kon before his directorial debut with Kisses (1957). Regarded as a precursor to the Japanese New Wave, he directed 57 films in his life (1924-1986) leaving numerous masterpieces.